【抄嗮粉嘅rollei 80s】

Kanedias

第一次用哩隻菲林，想問下師兄們哩隻野dynamic range 系咪好低？我影左35張，有好多張d暗位都under，無嗮details。之前影triX 或者Tmax都無試過系o甘

得翻下面哩幾張，都貼下如果唔系連嗮相錢都晒埋。


000012090001 by kanedias, on Flickr


000012090003 by kanedias, on Flickr


000012090029 by kanedias, on Flickr


000012090004 by kanedias, on Flickr


000012090038 by kanedias, on Flickr


000012090034 by kanedias, on Flickr

Jeansky

Set Iso 50影, 正常iso80時間沖，你會開心晒！
我之前都奶過野！

Nick138

Thomas_Chan

Jeansky 發表於 2013-10-11 05:27
Set Iso 50影, 正常iso80時間沖，你會開心晒！
我之前都奶過野！

有玩過呢款菲林都知。賣者無講俾樓主知？

當交學費……

factotum

Mike 哥話除咗柯達同ilford, 好多負片ISO都唔足。

好似 acros 100 要 set 80嚟影

vincecharus

High contrast, 有特色！Especially like the last one (silhouette).

bubu

These pictures are quite tasteful bor.

bubu

factotum 發表於 2013-10-11 14:38
Mike 哥話除咗柯達同ilford, 好多負片ISO都唔足。

好似 acros 100 要 set 80嚟影

True, for B&W negative, it's always better/safe to over-expose the dark with at least one stop.

factotum

bubu 發表於 2013-10-11 15:16
True, for B&W negative, it's always better/safe to over-expose the dark with at least one stop.

唔係彩色負片都要expose to the right？

bubu

factotum 發表於 2013-10-11 17:41
唔係彩色負片都要expose to the right？

Yes, it is the same principle to apply ETTR on film negatives.

I reckon it keeps as many details in the dark as possible for me to scan and process in digital post production. For example, fuller skin texture and blemishes and etc in a portriat.

Basically, it is to give a room for me to choose where to sit latter.

SS.LEICA

Kanedias

Jeansky 發表於 2013-10-11 05:27
Set Iso 50影, 正常iso80時間沖，你會開心晒！
我之前都奶過野！

奶嗮la！宜家見個個師兄都系o甘講，自己真係“背”；好彩我仲有4筒！
系邊度under就要系個度over翻！！

Kanedias

Thomas_Chan 發表於 2013-10-11 11:30
有玩過呢款菲林都知。賣者無講俾樓主知？

當交學費……

就系無lor～而家學費已交！

Kanedias

Nick138 發表於 2013-10-11 06:54

thanks nick兄。

Kanedias

factotum 發表於 2013-10-11 14:38
Mike 哥話除咗柯達同ilford, 好多負片ISO都唔足。

好似 acros 100 要 set 80嚟影

acros 我有用過，我都係當100影，不過無今次炒得o甘金！

Kanedias

vincecharus 發表於 2013-10-11 14:44
High contrast, 有特色！Especially like the last one (silhouette).

thanks vincecharus 兄。

Kanedias

bubu 發表於 2013-10-11 14:55
These pictures are quite tasteful bor.

but those i didn't post are distasteful lei!!!

Kanedias

bubu 發表於 2013-10-11 19:13
Yes, it is the same principle to apply ETTR on film negatives.

I reckon it keeps as many details  ...

d 人話：
CCD -> expose to the right
CMOS -> expose to the left
Film -> expose to the right

Kanedias

SS.LEICA 發表於 2013-10-11 19:14

thanks ss.leica 兄。

bubu

Retro 80s係隻好好用嘅菲林。宽容度颇大，估計有足7级。暗位加曝后，高光位仍大有機会完全保留细节。
即是話，先留暗位冇蝕底。
举一张劣相为例：
当时我怕冇左凹格内朵花后面啲葉嘅细節，於是点测該部份后加一级曝光。

上圖是V700掃底片(.Tiff)出来的影像，暗位细节冇錯好清楚，但全张相冇mood。這時我才醒悟到磚牆先至係主角，有朵花够襯了，毋需見清楚啲葉。
下圖是決定方向后，在Camera Raw先減半级exposure，再响PS嘅Level内加黑和減mid-tone，牆身高光位啲貭感竟然仲响度。
我相信Tmax100都做得到咁，一样俾你有机会second thought。但講黑位确係80s实啲。